“When we toured as support for The Monochrome Set, we were sometimes in fire and I could really feel people’s amazement at that born-to-be showman. He would play with the crowd and slowly take them into the show. Our sound might not have been very sophisticated but with Frank’s distorted piano, the CS50 brutal in and out sounds, Phil’s impeccable swirling bass, we were like The Stooges with synths and Frank was a perfect bionic Iggy Pop….I began to be very proud of us, we were quite something indeed and I was going on stage with a mission: to show people the songs and to let them fall in Frank’s performance.”

Read the full article in Side-Line Magazine.

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